I find the whole concept of being “tumblr famous” to be really weird, like I am aware I have a fairly large and consistent following for someone who isn’t running say, a community blog or a clickbaity style blog where the content is taken from elsewhere. But I don’t really think of it as…I don’t know.
I don’t really have the words for it.
I think perhaps because it was something I fell into, rather than planned, so it’s just this really surreal thing that’s happening in my life and I’m not really sure how to handle it, so I’m just…kind of carrying on like normal and pretending the numbers don’t exist? Like I don’t want that to be the focus of what I’m doing.
And then sometimes it hits me, oh, this is actually a thing. My words are everywhere on the internet, usually without credit, but they are there. I see my fear quote go past my dash every other day being misattributed to Dune. I’ve been approached for interviews, I’ve given quotes. People recognize me in the super market and shout “hi mom!” and wave. People have referenced me in their masters thesis.
Other people, high up people in publishing companies I could only ever dream of working at, have—when I’m introduced to them by a mutual—snapped their fingers in recognition and gone “oh right, you’re the online entertainer, I love your stuff! we actually used your disability in fantasy article to talk about…” and I have a brief out of body experience because how.
How is this my life? What did I ever do to deserve this?
I mean, apart from black out and recount the story of Crucifix Nail Nipples.
What’s the fear quote? 😮 I don’t think I’ve seen that one yet
“Acknowledge your fear. Let it pass over and through you,
breathe it in and hold it in your lungs, then let it out like fire. You do not
need to be a ray of sunshine to be the positive change you want to see in the
world. Sometimes you can be a very small, very afraid flicker in the darkness.
Just don’t let that flicker go out.”
It’s actually from this post, which has comparatively few notes compared to some of my others: source
But I see that last part fairly often because people lifted it out, and attributed it to “anon”, and then hilariously on one occasion, someone tried to correct them like “actually it’s from Dune”, when in actual facts it’s from little old me rambling into the void, trying to make sense of my own anxieties in a terrifying world.
I see it being used in pastel colored mood boards on Pinterest, and I’ve had to file a couple of take downs when people have tried to sell it as inspirational merch, which hMMMM. Not okay.
I’m happy to collaborate with people, but if you’re going to make a profit from my words (like I consented for @deadgodjess to use my “I hope your god will forgive you because we will not” quote) then at least ask my permission first. And for goodness sakes if you like something I say and want to make it a tumblr quote, please feel free to do so—just make sure you attach my name to it.
I know “anonymous” maybe has a more romantic connotation to it, and makes it sound like wise old words, but please don’t take the words of a disabled queer writer and eradicate their existence. The world is already trying hard enough to do that as it is.
I don’t think there’s an applause gif big enough to properly convey my reaction to this.
Also, I love that if anyone tries to say that you’re just “another hack fic writer with no ideas of her own who is jealous of the “real” writers out there”, they could quite literally be crushed under your catalog of award-winning original writing as a response. They can’t dismiss your stance on this topic the way they do to so many unpublished / fanfic writers because you’ve already met all of the standards that they insist someone has before they’ll accept their opinion as worth listening to.
Right?
“Well, fanfic authors never win awards, so–” “WOULD YOU LIKE TO HOLD MY HUGO.” “That’s basically, it’s, you know, the People’s Choice, so–” “LOOK AT MY NEBULA.” “That’s a science fiction award, it doesn’t really–” “LOOK I’VE WON THE ALEX.” “…” “IT’S GIVEN BY THE SAME PEOPLE WHO GIVE THE NEWBURY.” “…” “I’M THE FIRST PERSON TO WIN IT TWICE IN A ROW.” “…well you wrote porn.” “GOSH I SURE DID.”
More attention to this, please. 🙂 From yet another of the I Wrote Fanfic First And I Decline To Feel Shame About It brigade.
(And I also wrote for My Little Pony, which means I may have inadvertently contributed something to Seanan’s state of being. [Which I will file under the “Quiet Unholy Glee” heading.])
I was just informed by my brother (who thinks he’s a better writer than anyone else because he has some fancy degree in writing) that fanfiction “doesn’t count” as “real writing” because you aren’t using your own “ideas.”
He doesn’t know that I write fanfiction. He probably wouldn’t have admitted his opinion if her did. But it has pretty much solidified that I will never tell anyone I know in person what I write.
I’ve already been told by several family members that my obsession with a “stupid tv show” is ridiculous and that I’m “too old” to fangirl.
Sigh. /rant
In Defense of
Fanfiction
I am a professional writer and editor in real life. I have a
double degree in English and writing and am currently in school once more to
obtain a master’s degree. If your brother’s fancy writing degree was worth anything
at all, he should be able to admit that the vast majority of all literature is
in fact fanfiction of someone else’s story and its elements. In other words, no
one’s idea is, by definition, original.
Let’s take a look at just
a few examples to support my theory that some of the most important or
well-known pieces of literature ever created qualify as fanfiction:
Ancient/Old Literature
· Around
2000 BCE:The Epic of Gilgamesh
was inspired as a fanfiction of a historical King of Uruk, mixed with
Mesopotamian mythology. The story includes the character Utnapishtim, who lives
through a world-wide flood by building a ship per the instructions of the god
Enki and ultimately landing on a mountain in the Middle East, similar to Noah’s
story from the Bible (dates for the book of Genesis vary anywhere from 1400 BCE
to 800 BCE). Many historians suggest that the story of Noah was directly
inspired by Gilgamesh’s story of
Utnapishtim. Other historians suggest the two were simply inspired by a similar
source. Either way, there’s too many startling overlaps to classify Utnapishtim
and Noah as only a coincidence.
· 20-ish
BCE: The Roman author Virgil wrote The
Aeneid, which is a direct sequel to the previously created epic The Iliad attributed to Greek bard Homer.
Virgil was also known for writing pastoral poems based off and inspired by the
work of the great poet Theocritus (280 BCE). As a fun addition, Theocritus
himself was known for rewriting the cyclops villain (Polyphemus) of Homer’s Odyssey into a love-sick idiot in his
work, Idyll XI.
Medieval Era (500-1500-ish CE)
· 700-1000:
The Alphabet of ben Sirach was an
anonymous Hebrew collection of satires that included a parody of the biblical
Genesis story of Adam and Eve. The story gave Adam a totally different wife by
the name of Lilith, the character of which was inspired by Babylonian
mythology. The whole of the collection is additionally wrapped in a fictional
account of telling the stories to the historical figure of the Babylonian king
Nebuchadnezzar—another real person fanfiction of a celebrity from that time.
· Around
1000: The world’s first novel, The
Tale of Genji by Lady Murasaki Shikibu, inspired the massive outpouring of Japanese
Noh theater plays involving characters from the novel, such as Aoi no Ue (Lady Aoi), which has been
attributed to a few people (Zeami Motokiyo and Inuo). This play appropriates
the Lady Aoi from Shikibu’s psychological novel to explore her death and is
only one example of the available fanfictions of the novel.
· 1308-1320:
Dante’s Divine Comedy (known most
famously for the Inferno) is a
literal OC self-insertion of the Italian Dante Alighieri himself into the hell,
purgatory and heaven from Catholic / biblical texts. Its format is in an epic,
in an attempt to outdo the Aeneid and Iliad before it. It also includes an insertion
of a ghostly Virgil, who copied the Iliad to write the Aeneid. Furthermore,
Dante’s work includes insertions of real historical people that Dante didn’t
like. It’s possibly the most self-indulgent fanfiction ever created while also
being named one of the greatest poems in literature.
· 1392:
Geoffrey Chaucer (known as the father of English literature) wrote a famous
collection called The Canterbury Tales.
The collection takes its basic format and inspiration from Italian author
Giovanni Boccaccio’s The Decameron (written
in 1351). It’s suggested that some of the tales Chaucer uses actually
originated from Boccaccio’s work.
Renaissance Era (1550-1660-ish CE)
· 1590:
English poet Edmund Spenser borrowed the legend of Arthur of the Round Table in
his epic poem, The Faerie Queene. In
it, Arthur is pretty love-sick over the fairy queen.
· 1597:
English playwright Shakespeare borrowed various mythologies and historical
figures and mixed them together. Not even his most popular play, Romeo and Juliet, was original. He took
the idea from a poem written by Arthur Brooke in 1562, called, “The Tragicall
Hystorye of Romeus and Iuliet.” Even more interesting, Brooke had taken his
idea from the 1554 Giulietta e Romeo
by Italian author Matteo Bandello. (Shakespeare repeatedly sourced other
people’s ideas or historical existence for his plays.)
Enlightenment Era (1660-1789)
· 1667:
English poet John Milton wrote Paradise
Lost, a fanfiction epic of the biblical story in the book of Genesis about
the fall of creation and humankind into imperfection.
· 1712:
English poet Alexander Pope wrote a mock-heroic epic called the Rape of the Lock to make fun of all the
serious epic writers before him, borrowing such images as the way epic warriors
put on armor and connecting it to the way rich people put on rich clothing and
jewelry. He used other standard epic elements as repeated throughout The Iliad, Aeneid, and so forth.
· 1759:
French writer and inventor, Voltaire, wrote a satire Candide. It borrowed various elements from Tales from a Thousand and One Arabian Nights, a collection of
Middle Eastern folktales from the Islamic Golden Age.
Romantic Era (1789-1850)
· 1819:
In Don Juan, English poet Lord Byron
took the pre-dated legend of Don Juan, which was about a man who seduced a lot
of women, and reversed the original plot so that Don Juan ended up seduced by a
lot of women.
· 1820:
English poet John Keats wrote a poem as a retelling of the Greek mythological
creature called Lamia, which was a half-woman and half-monster (description
varies depending on the Greek source). A lot of his works borrowed heavily from
Greek mythology and literature, and he idolized the English Renaissance poet
Edmund Spenser, to a point where his first work was called, “Imitation of
Spenser” (1814). In it, he borrowed various images from Spenser’s epic, The Faerie Queene.
· 1843:
English writer Charles Dickens wrote A
Christmas Carol, based off the various stories compiled in the 1841 and
1842 TheLowell Offering, a publication magazine written by a group of
intellectual but mostly anonymous women. He borrowed the certain pieces of plot,
language, and descriptions for Scrooge’s ghostly encounters from the stories “A
Visit from Hope” (anonymous), “Happiness” (anonymous), and “Memory and Hope”
(by someone named Ellen). A Christmas
Carol is additionally littered with biblical allusions all over the place.
· 1844:
French writer Alexander Dumas borrowed The
Three Musketeers, as well as many of the story’s side-characters, from The Memoirs of Monsieur d’Artagnan by
French author Gatien de Courtilz de Sandras. He didn’t even change the names or
who the villain, the Cardinal, was.
· 1845:
American author Edgar Allan Poe wrote The
Thousand and Second Tale of Scheherazade, in which he has the mythical Scheherazade
from the Tales from a Thousand and One
Arabian Nights telling another story about the legendary Sinbad the
Sailor.
· 1861:
Hungarian author Imre Madach wrote The
Tragedy of Man, which reverses the biblical moral principles of God and
Satan: In this story, God is the violent and evil ruler, and Satan is the jaded/trickster
victim just trying to open humanity’s eyes to the truth.
Modern Era (1900ish-1950s)
· 1922:
Irish novelist James Joyce wrote his stream-of-consciousness novel Ulysses, which was based off of Homer’s Odyssey, to a point where he took the
characters and simply renamed them, as well as aligned the structure of his
book to the various episodes in Homer’s work.
· 1930:
The Nancy Drew series was created under
the penname Carolyn Keene, who did not exist. Instead, an American man named
Edward Stratemeyer would write three pages of a story, then send it to one of
several ghostwriters who wanted to write Nancy Drew. The ghostwriter would take
the story and expand it. The anonymous group of ghostwriters all writing about
the same character still exists today. Each individual ghostwriter has made
changes to Nancy’s personality, looks, and age, as well as the type of plots said
character engages in.
· 1937:
English writer JRR Tolkien wrote The Hobbit
and then Lord of the Rings in the
1950s. He borrowed the names of characters and places after those seen in the
Icelandic sagas Poetic Edda and Prose Edda by Snorri Sturluson. Tolkien admitted
he based the physical appearance of Gandalf off of the Norse god Odin. He
modeled the character of Aragorn directly after Beowulf, from the old English epic
(700-1000 BCE) Beowulf. Aragorn himself
even paraphrases the Anglo-Saxon poem, “The Wanderer,” as an example of a verse
created by his people of Rohan. Another fun fact is that Tolkien specifically
borrowed the phrase “my precious,” from a Middle English poem called Pearl. Additionally,
Tolkien was a big fan of romantic prose/poetry writer William Morris and wanted
to write like him, so he borrowed a lot of phrases, aesthetics, and even names
from such works like the 1888 The House
of the Wolfings by Morris, including the place called “Mirkwood.” Of
curious note is that Morris’s work was massively influenced by Virgil’s Aeneid.
· 1938:
African-American author Richard Wright wrote a collection of stories called Uncle Tom’s Children, with an obvious
borrowing of the title from Uncle Tom’s
Cabin, written by Harriet Beecher Stowe in 1852.
· 1930s-present:
DC and Marvel comics mostly just updated the mythological gods and goddesses
for a modern era, appropriating their names, special relics, and abilities for
their heroes, and then mixing them with some modern-day cover identifies. As an
example, Wonder Woman was originally a nod to the Greek goddess Diana, a nod to
the female Amazon warriors, and a redesigned image of Rosie the Riveter. As
another example, the Flash is a reproduction of the Greek god Hermes, his
winged helmet further clarifying the connection. Even the name Superman was not
entirely original. 1938 Illustrator of Superman, Joe Shuster, took the name
“Superman” from the German “Ubermensh,” a term coined by the philosopher
Friedrich Nietzsche. As a final example, sometimes the appropriation from
mythology is incredibly obvious, as in the case of Thor.
· 1949:
English author George Orwell reviewed a book called We by Russian author Yevgeny Zamyatin. He wrote a rave review on it
and declared that he would try to write something similar, which ultimately
became 1984, sharing many similar
plot points and concepts while bringing the story of We into a more realistic environment. The novel We also inspired Ayn Rand’s Anthem and Kurt Vonnegut’s Player Piano, for which Vonnegut
admitted he also borrowed concepts from Aldous Huxley’s Brave New World.
· 1950s: The Chronicles of Narnia by British author
C.S. Lewis was based on biblical stories conveyed through various mythological
elements as well.
Postmodern Era (1950s-Present, debatably)
· 1977: African-American
author, Toni Morrison, wrote a critically acclaimed novel called Song of Solomon, which took its title
name, as well as the names of several characters and plot points, from the
Bible.
· 1988:
British-Indian author Salman Rushdie’s The
Satanic Verses was inspired by the life of the Islamic prophet Muhammed.
Its title is a direct reference to controversial verses once placed in the
Quran but then removed. These highly controversial and sensitive connections to
Islamic and Old Testament personalities of Gabriel and Satan resulted in the
banning of Rushdie’s book from several regions.
· 1997-2007:
The Harry Potter series by British author
JK Rowling borrows heavily from historical alchemy, including the age-old
legend of the philosopher’s stone and the 1652 book Culpeper’s Complete Herbal, which was about the medicinal and
occult properties of plants, which helped her build how magic was used in her
stories. Rowling also admits the 1652 book inspired many of the character’s
names. She appropriates several historical figures as well for her own purposes
(as a sort
of real-person fanfiction), including references to alchemists Nicolas Flammel and
Paracelsus. She even admits to, while writing Harry Potter and the Sorcerer’s Stone,
dreaming about Flammel showing her how to make a philosopher’s stone.
· 2003:
American author Dan Brown’s The Da Vinci
Code and its twisting conspiracies are based almost entirely on the books
of Margaret Starbird, most of which were written between 1993 and 2003.
· 2009:Pride and Prejudice and Zombies, by American
author Seth Grahame-Smith, is a rehashing of Jane Austen’s 1813 Pride and Prejudice. But with zombies.
· 2015: American
writer of critically acclaimed The Outsiders,
S.E. Hinton, claims that she has posted anonymous fanfictions of her own novel,
as well as at least four Supernatural fanfics, being a huge fan of the show and
of the paranormal.
As a professionally educated and trained writer and editor
myself, I had to study the intertextualities of several of the pieces I
mentioned above. But this is not an exhaustive world list by any means and is missing some other fantastic and influential writers—I’ve included only
what has come to my mind in a short time. Plots and characters and ideas have
been largely passed around throughout the history of literature. Without
fanfiction, a solid portion of well-known literature would not exist.
In fact, many authors and even inventors will say that there
is no such thing as an original idea. Certain pieces get touted as creative
because they combine previously suggested elements in a different or
thought-provoking way. (Don’t even get me started on how science fiction is a
driving force behind many scientific advancements today!)
If you’re writing fanfiction, then you’re participating in a
tradition that spans millennia. There is no piece of literature created in some
“original” vacuum. That is precisely why literary critics, and those who have professionally
studied fiction in an academic setting, use the word “intertextuality” to
describe how works of fiction are ultimately interrelated in some way or
another.
Therefore, fanfiction is the legacy of literature. If
Virgil, Dante, Shakespeare, Voltaire, Keats, Poe, Dickens, Tolkien, and Brown can
write fanfiction about and expand other people’s works, you can too. So the
next time someone tells you to stop writing fanfiction, or tells you that it’s
not a valid form of art, tell them that they obviously have never read the most
important historical works of fiction, or even many popular modern stories,
which are all rehashed fanfiction stories, borrowing characters and names and setting and even syntax.
Rant written for @greenappleeyes and everyone else unfairly shamed for writing fanfiction. Content was retrieved from my own class notes, as well as publically available online interviews and articles.
I think one of my major problems with media that deals heavily in themes of good and evil is that my formative years contained Terry Pratchett’s work which just blew my head clean off and put it back on my shoulders a little more firmly and then told me “there are no heroes, no legends, no miracles, just you. It’s you against the darkness and the metaphorical wolves at the door…better bloody do something about that then, hadn’t we”.
And don’t put your faith in revolutions – they always come around again.
And being good isn’t an innate quality – it’s an action that requires doing good for other people even and especially if you don’t like them, it’s hard work and you don’t want to. Bad impulses, bad thoughts don’t matter if you recognize them for what they are and turn them into positive action.
And the duty of the police should be to protect the people, not the power structure.
And we, as people, make our own gods, our own stories, our own creeds, not the other way around, which means we can change those stories and thus change our world, because nothing is more powerful than a story.
I saw this in a reblog from @omgitsthatgingergirl and I’m ridiculous, so I totally tried it immediately. I entered the following:
***** Cas stopped again. He rolled his head and raised his arms partway in a gesture of complete exasperation.
Dean noticed his wings mirrored the arm gesture exactly. They also arched a bit and seemed to bristle. It looked shockingly Cas-like and it occurred to Dean that those weren’t just things growing out of Cas’s back. Those wings actually were Cas – the real Cas – perfectly expressing the same defensive fury and shitty attitude currently coming from the angel’s vessel. Dean knew he’d think it was really cool if his friend weren’t being such a dick.
“IF…there were something I needed to tell you, I would tell you. There isn’t. I’m fine. Now can we please get inside before someone or something spots us?”
Dean sighed in disgust and shook his head. “Yeah. You’re fine. Got it.” He spat the words out, more frustrated with the angel than he had been in a very long time. He was the one to restart their march toward the bunker. His stride was just as fast and angry as Cas’s had been. *****
And the algorithm, which I’m sure is rigorous and scientific and highly objective, said “You write like Stephen King” And I’m totally claiming it. This is mine, now. I write like a fabulously successful professional writer! Fight me!
@all of my writer friends Do it. Tell me what you get!
LOL Ok, I’m putting excerpt after excerpt of my writing into this thing and it’s coming up as Stephen King every damned time. This is hilarious. And I’m starting to get a little paranoid, like…what the fuck is it about my writing that makes this thing say I write like Stephen King? I mean, other than I generally swear in my writing…
Huh… ok, I’m gonna try a few and make sure there’s no cursing. And then I’m gonna try some with zero dialog. Brb…
So…apparently this thing is convinced that I actually AM Stephen King and that i’m just fucking with it. I put at least 10 more excerpts of my writing in, and I tried to use somewhat varied selections – different scene tones; with and without dialog; with and without cursing. All of them came back as Stephen King, except one: I chose a particularly clunky, choppy section that I know I didn’t polish enough and it came back with Dan Brown. Which, ya know…not to be an asshole, but…that’s pretty accurate. Sorry, Dan. It didn’t keep me from reading your whole book, so writing style ain’t everything brother. It’s all good.
It’s highly likely I’m gonna spend at least another hour messing with this thing, because there’s something wrong with me, and my need for validation as a writer is somehow fed even by bullshit like this.
So, yeah…I’m totally tickled right now.
Ok…last thing and then I’ll shut up, but this was too funny to not share.
I found an excerpt that was written entirely from a very worried and concerned Sam’s POV and it came back with Stephenie Meyer (i.e. author of Twilight)
That is just…lol Omg…that is delightful. Like…who the hell am I? I’m a blunt horror writer when it’s Dean or Cas, but when it’s Sam, apparently I bust out my inner emo girl. I am dying over here. Send help.
Figment, the recently closed writing website, has just launched (after a long delay) their long-awaited successor to figment known as Underlined, where users can post their work and receive feedback, supposedly.
DO NOT USE UNDERLINED. DO NOT POST YOUR WORK ON UNDERLINED.
Underlined’s terms and conditions contains a clause stating that the rights to all your work that you post on their website belongs to them!!!!
Underlined belongs to Penguin Random House. This is an extremely dirty trick for them to play on writers, especially young writers and children, who come to the internet to get feedback and will lose the rights to their work. Please boost!!!
For my writing friends looking for an online writing community, DO NOT USE Underlined.
I went to confirm @greater-than-the-sword‘s post, because seriously publishers are still pulling this garbage? And yes, they are. If you want to check out the full terms and conditions, have at it. They are full of writers’ nightmares, a few of which I’ll highlight under the cut.
I have actually. And usually in the context of a scam. They’re a vanity publisher, as far as I’m aware. Granted a vanity publisher with standards for submissions, and an editing team to make things shiny, but the last I heard of them they still want the author to foot the bill of publishing their book to the tune of several thousand dollars. Which is something you only find out after you request the “free” author submission kit.
And I’m not saying self publishing with an aim towards success is free or cheap. I’ve sunk thousands into making Phangs into all I can make it possibly be, but that was a personal choice on my part and partly because of the massive (read: overwhelming) “what do you mean it’s healthy polyamory and queer, take my money!” response it got when I first started playing with the idea of making it into something more substantial than a tumblr post and realized it has the potential to actually be something really cool. I even flirted with one or two indie presses, even my old house, but ultimately decided I was better off retaining as much control over the book as possible. I made a choice which made it harder for initial production, but ultimately will pay off more in the long run for what I want to do with it.
But the thing is, that’s me footing the bill of a *massive* project that I want to retain the full rights to and also includes the cost of production. Any *publisher* asking me for that kind of money just to get my book through the door, has not got my best interests at heart. Especially when they don’t list those prices up front.
Basic thing to look for when attempting to find an agent or publisher is: if they want money from you up front, it’s a scam.
Publishers, even small indie press, take the cut of their fee from your Sales. Not “on top of the $2000+ you just spent on marketing” which btw, you can do for substantially less on your own, and also, even with traditional publishing, you still wind up doing a lot of the footwork on promotions yourself. Unless you’re a big fish in this vast sea, you always end up being your best promoter.
Also Writer Beware is an excellent resource for people wondering how to avoid getting scammed when they start out:
Queer Fiction Writer 