quinfirefrorefiddle:

dduane:

seananmcguire:

lynati:

I don’t think there’s an applause gif big enough to properly convey my reaction to this.

Also, I love that if anyone tries to say that you’re just “another hack fic writer with no ideas of her own who is jealous of the “real” writers out there”, they could quite literally be crushed under your catalog of award-winning original writing as a response. They can’t dismiss your stance on this topic the way they do to so many unpublished / fanfic writers because you’ve already met all of the standards that they insist someone has before they’ll accept their opinion as worth listening to.

Right?

“Well, fanfic authors never win awards, so–”
“WOULD YOU LIKE TO HOLD MY HUGO.”
“That’s basically, it’s, you know, the People’s Choice, so–”
“LOOK AT MY NEBULA.”
“That’s a science fiction award, it doesn’t really–”
“LOOK I’VE WON THE ALEX.”
“…”
“IT’S GIVEN BY THE SAME PEOPLE WHO GIVE THE NEWBURY.”
“…”
“I’M THE FIRST PERSON TO WIN IT TWICE IN A ROW.”
“…well you wrote porn.”
“GOSH I SURE DID.”

More attention to this, please. 🙂 From yet another of the I Wrote Fanfic First And I Decline To Feel Shame About It brigade.

(And I also wrote for My Little Pony, which means I may have inadvertently contributed something to Seanan’s state of being. [Which I will file under the “Quiet Unholy Glee” heading.])

:)))

Damn I love the internet.

people I still want to stab over a decade later:

thebibliosphere:

morgynleri:

deadcatwithaflamethrower:

Creative Writing Professor at a former college: Welcome to creative writing! By the way,
you will not write fantasy, ghost stories, pranormal, or science fiction
in this class, as this is a creative writing course.”

What the ever loving fuck is with “creative” writing professors who think that speculative fiction of any stripe ISN’T CREATIVE?

I still remember my own creative writing teacher telling me this because he saw the Terry Pratchett book on my desk and got this smug smirk on his face like “aha, gotcha”. He had the nerve to pick it up and call it “popularist fiction”, like somehow being popular and easily accessible made it less inherent in intellectual value.

I had it in my back pack because I did my final thesis on the evolution of mythology and folk tails into fantasy and sci-fi and the societal importance of telling stories (before anyone asks, no I don’t have it, I lost it when I moved continents), and I used Terry Pratchett because there wasn’t a single humanitarian issue the man did not touch on.

Which I told him. And then he kind of floundered and went “ah, well but, it’s…well I mean it’s not exactly high brow”, like neither the fuck was Shakespeare or Dickens you self-important turnip. Dickens was literally selling his stories by the chapter. He was the popular author of his time. Shakespeare was too, he fucking made up words and phrases all the time because the language he needed to express himself didn’t exist in the way he needed it too.

Intellectual elitism is nothing more than a hold over from class warfare and the belief that only certain people should get to be truly educated. And it needs to be smashed.

handypolymath:

Ask me anything

@thassalia asks: “When do you know you’ve hit a new level as a writer?”

Oof, this is a good question, it brings up many thoughts. I think a writer’s growth is driven by reading, thinking, writing, and paying attention while living, and you won’t know what’s cooking below the surface until you’re actively writing.

I can never understand I’ve gained a skill until I re-read previous work that lacks it, or I go back to a piece in progress and find that what had been a daunting mess now looks like a new kind of fun.

Growth can also feel like you’ve forgotten how to do something, and that’s scary. It’s hard to believe in that moment that we sometimes need to forget an old way to make room for learning a new way. That unlearning isn’t losing, but rewiring. That at the end of the process, you’ll have both ways and an understanding of which to use when.

Frustration, balking, being tired of my own shit, panic, nervous laughter, these are all signs that the story is bigger than I am (currently), and I’ll need to persist until I develop what it’s asking of me, in order to understand it and tell it. Up to and including taking a break and writing one or several other stories before coming back. But the big ones always keep calling for me to come back and take another crack, until one day I’m strong enough to lift them, or brave enough to open that dark place and peer inside, or subtle enough to describe what I see instead of smacking it with a thesaurus like a bug.

Stories, at their deepest root for me, are profound and specific wordless sensations; that’s what drives me to the end, pinning down that complex gestalt of sensation. Sometimes they don’t like any of the costumes or props in the mind, so they sink back and bide their time for another season. Sometimes you hit upon a character, or a situation, and a dam breaks in your skull.

Writing is a ridiculous art that we are literally making up as we go along.

What are your thoughts on writing through a family tragedy? On the one hand, it feels so trivial, to make up stuff while I should be mourning. On the other, he was a practical man and had encouraged this dream of mine in his way. Do you think the answer is different for a newbie wannabe writer than an established author? Thanks.

frelledbyfate:

neil-gaiman:

When my father died, I wrote on the plane back to the US from the funeral, because I needed to not be in my head. A month or so later, I was ready to look at what I’d written, and found basically all the dialogue for The Doctor’s Wife written and waiting for me. Sometimes we write to save our own lives.

“Sometimes we write to save our own lives.”

This is so true.

haiku-robot:

spoonie-living:

wheeloffortune-design:

How I learned to deal with overwhelming anxiety.

A cute comic and some good advice! Go on and add this one to your toolbox, anxious friends ❤️

A loose transcription can be found here, for VI folks using screenreaders.

a loose transcription

can be found here for vi folks

using screenreaders


^Haiku^bot^9. I detect haikus with 5-7-5 format. Sometimes I make mistakes.

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Throwback Thursday

I’m noticing that my stories are different than they used to be. I’m still writing about sex and kink and queerness, about people that are flawed and kinda fucked up, but I’ve noticed that my stories aren’t as sweet, as lighthearted as they used to be. They’ve gotten deeper, more complex. And some of that is down to evolving as a writer–learning how to bring complexity into your work, how to tell as much with what you don’t say as with what you state explicitly, bringing emotional depth and messiness to characters, worldbuilding and understanding the implications of societal structures, those are skills.

But part of it, I think, is a symptom that I’m healing. Processing. I spent my entire life pre-March 2017 in a series of toxic, abusive, dangerous environments, and I wrote stories that were sweet and fluffy, stories full of hope, as a way to motivate myself to keep moving forward. A way to remember that there were better ways to live, and I was going to experience them one day, damnit. And now?

Now, I am. Now I’ve lived for a year in a safe, stable, supportive environment. It’s not perfect, but it’s a continent away from what I was dealing with before. And, now that I have the time and the space and the safety to do so, the stories I’m writing are diversifying. There’s more moral ambiguity. More darkness. Things are messier in my characters’ minds and lives, because my stories are starting to reflect my experiences (filtered through the lens of fantasy and magic) rather than my hopes.

And I don’t know how to feel about that.

thanks for ruining my post you disgusting waste of life

thisdiscontentedwinter:

fozmeadows:

You posted an opinion on a social media platform that’s explicitly designed to enable reblogs and commentary from other users, including people who disagree. If you want to write in a broadcast medium where you have total control over replies and their visibility, get a WordPress blog – but even then, the whole point of the internet is that other people get to share their opinions, too.

I appreciate that you think this is a black and white issue, but it isn’t. You, personally, do not get veto power over what the rest of the world imagines when they masturbate or the kind of stories they write for fun, nor do you get to determine where the acceptable overlap between those categories lies, because individual stories impact individual readers differently. No narrative is universally positive or negative, which is why tags exist in fanfiction: to help individuals navigate their needs and preferences safely

That you, personally, cannot fathom a benign or logical reason why some people enjoy the sorts of fantasies or narratives that you find abhorrent does not mean no such reason exists; nor does it mean that every single person who enjoys those things is as morally pure as the driven snow. What it does mean is that there’s no way to tell at a glance, purely on the basis of the content, which type reader is which, such that you can’t functionally ban the latter kind without also banning the former – and if you’re okay with demonising innocents for the sake of punishing the guilty, then you don’t get to claim moral purity, either. 

Which is the crux of the argument, here; the reason why it’s not black and white, even though it looks like it should be. Who decides what fictional content stays or goes, and why? It’s easy to say “no underage, no incest, no paedophilia, no rape,” but if you want to follow through, you have to define those terms in practical, specific ways, and that isn’t easy at all – not for published novels, and not for fanfic. Here’s what I mean:

No underage – okay, so does that mean no romance or sexual content for characters younger than 18, or just younger than 16? Whose definition of ‘underage’ are we using? Are there exceptions for teen characters within three or so years of each other, as there are legally in real life, or not? What are the limits of ‘acceptable’ content for younger characters – can they hug and kiss and talk about sex, so long as they aren’t implied to be having it? What if they are implied to be having it, but there’s a tasteful fade to black? What about stories where a younger character is making realistic bad decisions about sex or is being taken advantage of – can we tell those stories, or are they banned, too? If we do tell them, what are the guidelines for how graphic the content can be?

No incest – okay, does that include characters who weren’t raised together and don’t know they’re siblings? Step-siblings? Half-siblings? Does it include a ban on historical figures who really engaged in incest? What about characters who have an incestuous relationship in the source material – can we write fic about them, provided we take an explicitly anti-incest stance? What degree of separation are we allowing – does it start at first cousins, or do we go beyond that? Are all these things okay so long as it’s explicitly written as abusive and bad in the narrative, or is there leeway? What about people who expressly want to engage in daddy kink, which uses incest-adjacent language without necessarily being incestuous? Is that banned, too? What about fics where the characters aren’t related in the source material, but have been written that way in the story, such that a romantic relationship is turned into a familial one? What about fics where the characters are related in the source material, but aren’t in the fic, such that a familial relationship becomes a romantic one? Is any of this allowed?

No paedophilia – okay, does that include stories about survivors of child abuse? What about stories where the source material includes child abuse; is fic not allowed to mention it? Can you portray it if it’s very clearly a Bad Thing, even though some readers might still get off to it anyway? Can you imply that it happened so long as it isn’t discussed in detail or depicted graphically? What if survivors of child abuse want to write graphically about their experiences as a way to process trauma – is that allowed, or not? If so, how do you go about policing content creators to make sure that writers have suffered the Right Kind Of Abuse to be allowed to write those stories? If not, how do you justify the decision to exclude victims from their own narratives? If some victims find it traumatising to read fics that contain paedophilia, but others find it cathartic and helpful to write them, do you acknowledge that all victims have different experiences and try to create a platform where everyone can navigate those differences safely, or do you think it’s better to just close that door altogether? 

No rape – okay, does that mean no stories about rape recovery? Can you show rape provided it isn’t graphic? Can it be mentioned at all, or only in passing? What if two characters consent to enacting a rape fantasy in the text – is that still morally wrong? Can rape occur provided that it’s obviously bad and wrong and clearcut throughout, or is the character being victimised allowed to feel conflicted or confused about their experience? What about instances where consent is potentially dubious, such as sex between characters who are drunk, or where one party is drunker than the other? What if a story’s source material is ambiguous about whether sex between two characters was consensual – is fanfic allowed to explore that?

These are only some of the questions you’d need to answer in order to implement your desired changes on a future, hypothetical website. I say again: it’s easy to sit there and say, “No porn involving these four things,” as though AO3 need only delete every work containing those tags in order to save itself from damnation, but functionally, practically, it doesn’t work like that. The wrong story at the wrong age or time can fuck anyone up, just as the right one at the right age or time can be revolutionary, and those might both be the same story to different people. Explicit stories on AO3 are expressly restricted to those over 18 – if younger people are reading those fics, then that’s a risk they’re taking upon themselves: in which case, it’s their responsibility to use the tags to safely curate their own experience.

I understand the worry that paedophiles will use fanfic to groom their victims, and I don’t deny that this has happened to some people. But at the same time, abusers use a lot of things to groom their victims – historical precedents, flattery, novels, movies, lies – and at the end of the day, the only commonality between those things is the abuser themselves, not the content; so unless you’re arguing that the content creates the abuser, removing the content neither removes the abuser nor curtails the abuse. By the same token, it’s also true that fanfic has helped a great many people to recognise or recover from their own abuse, by showing what it looks like or enabling them to write about their own experiences. I know multiple ficwriters who’ve written their own rapes or sexual assaults into fics, or their own mental health diagnoses, as a way to process those things safely, in a cathartic manner. You really want to take that away from them?

People are complex. Sex is complex. Fantasies are complex. Pretending otherwise is how you end up with books being banned or burned, to say nothing of a host of related social evils. 

And if pointing all that out ruined your post, then maybe it needed ruining.

Foz Meadows is a gift!